Friday, April 27, 2012

A Whole New World: A Look Inside My Vegas Convention Experience

Battleship lobby display, [Photo from Collider.com]


In its second year as CinemaCon (formally ShoWest), the Las Vegas trade show owned by the National Association of Theater Owners showed off tons of footage from upcoming movies, featured a variety of products on the floor for theater owners to consider (and for me to eat), provided seminars on things like social networking, 3D, and texting in theaters, and got thousands of people drunk. It was my first time making the trek to Vegas to see what all the fuss has been about so I thought I’d sum up the best parts of my two days in Caesar’s Palace.


A Peek Into A Different Demographic
One of the hands down most interesting parts of my entire CinemaCon experience was taking a look inside a demographic that I have never been privy to before. I am mostly all geeks all the time or all hipster artists all the time. In my universe, the big winners of the convention would have been Prometheus, The Amazing Spiderman and 47 Ronin. SO not what happened here. Case in point: the unexpected winner of the Universal presentation and possibly the whole weekend?  Ted, the first feature length film from Family Guy mastermind Seth McFarlane, the clips from which got the loudest, most enthusiastic response of any film at CinemaCon. 
Also, in chatting with folks after the Sony presentation, pretty much everyone, but especially women, came away most excited personally for Hope Springs, the film where Meryl Streep and Tommy Lee Jones go to a marriage counseling retreat to get some spice back into their lives. I’ll see it, sure, but I think I can safely say I have never been in a room before with this many people who dismissed genre films as noise and explosions, but simply can’t wait for a middle aged romantic comedy starring Meryl Streep. Although, to be fair, a lot of these folks happen to be excited for Looper as well, as it seemed smart and liked that there was more in there than just noise and explosions. Yay!
Here's the kicker: after killing it at Wondercon with fantastic footage complete with silly intro and hilarious panel with Seth Grahame-Smith and Benjamin Walker, Abraham Lincoln: Vampire Hunter seemed to utterly stump the CinemaCon crowd. When chatting with attendees, I discovered just how true this was. This movie is not for this crowd. Thankfully, anyone I personally spoke to got to hear that it was based on a great book, that the writer is extremely clever, that Benjamin Walker starred on Broadway, that it was extremely well received at Wondercon and the geek crowd is super excited for it, but it was definitely eye opening to encounter a bunch of people that aren’t automatically excited at the thought of Abe Lincoln chopping up vamps on top of a train. 
Oh, peeks inside other demographics, how interesting and rare you are!
More after the jump
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Wednesday, April 25, 2012

Morrison Hotel Gallery's Rolling Stones tribute

The Morrison Hotel Gallery, in association with GrandLife Hotels, will be exhibiting an expansive collection of portraits of The Rolling Stones, tributing their 50 years as a band. The exhibit and sale will feature photos of the iconic band as captured by a slew of talented photographers.
If you've never visited The Morrison Hotel, this show will be your perfect introduction to this awesome New York gallery dedicated to music photography.
Rolling Stones: Celebrating 50 Years in Photography
May 4th-May 31st
For more information, visit the gallery's website here. See full post

Monday, April 23, 2012

Review: Cabin in the Woods Visual Companion

SPOILER ALERT - If You Haven't Seen Cabin in the Woods, Click Away!


Cross-posted on Film.com





Remember that moment in Cabin in the Woods when you finally realize what the office pool is all about as the film cuts to a white board filled with a long list of creatures and various departments next to each one? Remember how much you wanted to pause the screen and take in all in? But then remember how you realized t's a movie in a movie theater and you wouldn't get to do this until DVD/Blu-Ray release? FEAR NOT YA'LL. Luckily, the Cabin in the Woods Visual Companion hits bookstores today and not only does it have a screencap of the board, but shots of the basement, specific creature designs, discussions about the creatures, and the script itself, which contains creature details. All that's missing to answer all of your creature questions is a detailed diagram of board to basement to creature. Which *will* be on the DVD/Blu-Ray, right Drew? RIGHT, DREW?!?! In fact, Badass Digest posted the photo and there's a pretty fun comment chain going on in response as people break down the creatures - have a looksie! 

Frankly, that alone would be enough to get me to buy this book, but the Visual Companion is so much more than that. Aside from the massive creature education/explanation, the book offers tons of behind the scenes stills, production photos, storyboards, concept art, models, interviews with actors, production designer, creature designer and more, the entire original script and best of all a THIRTY FOUR page interview with, plus forewords and afterwards from, Drew Goddard and Joss Whedon. Sure, plenty of this stuff you could maybe find in various interviews around the interwebs, but this extensive chat was done right after the film was picked up and goes into incredible detail from pre production through the shoot itself and where they were in post.

Moar after the jump!


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Saturday, April 21, 2012

Blunderbuss indeed

Jack White's first solo album Blunderbuss will drop this Tuesday. When it does, it will annihilate all other new rock music (already released and forthcoming) this year. Don't care that I haven't heard and will not listen to every single rock record released this year. I stubbornly stand by my unreasonable statement. Get ready for White's 2012 domination.



And catch White's Unstaged, a Gary Oldman directed digital concert, live on April 27th. See full post

Is The Lucky One creepy?

Cross-posted on and commissioned by Film.com



You guys have totally seen The Lucky One by now, right? Ok, fine, let's back track. You guys have seen the trailer for The Lucky One by now, right? To not pay attention, you'd see, oh, Zac Efron is a soldier and he falls for this lady and they do it a lot, and her ex husband doesn't like it, plus Nicholas Sparks! But when you actually dissect what's going on, things start to become...uncomfortable...and it begs the question - is The Lucky One creepy? Find out after the jump. Oh, and spoilers await you. If you care.


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Pipeline's The Ash Girl: a fairly luminous fairy tale

The Pipeline Theatre Company has been an ATFG favorite for a couple of years now and I've always been impressed with their versatility. Thursday night, they proved their chameleon character to me again during a preview of their new show The Ash Girl.


Director Jessika Doyel's The Ash Girl is a stirring adaptation of Timberlake Wertenbaker's play, which itself is a beautiful take on the Cinderella story. The play adds layers and weight to the conventional Cinderella plot with its personification of the Seven Deadly Sins (including Sadness as a loner, who is reluctant to be a group member but is an equally dangerous eighth villain), funny and wise animals that do more than help with chores, a less than wicked and more pathetically covetous stepfamily, and a prideful and homesick foreign Prince. The Sins fuel the actions of others, stirring up inner demons that the characters must fight off or end up giving into. Ashgirl, played with wonderful intricacy by Meagan Kensil, is a melancholic Cinderella-like young woman who, with the help of The Fairy in the Mirror, uses inner-strength and hope to fight off the eight literal and figurative demons as she finds solace in the company of an equally tormented Prince.

Despite the fantastical and mythical aspects of the play, Pipeline's adaptation of The Ash Girl has a subtle quality, helped in part by its low-key set and lighting design. With their productions of Felix & the Diligence and The Caucasian Chalk Circle, Pipeline impressed by proving that they could utilize a large stage and orchestrate well with a large cast, but with The Ash Girl they decide to subdue the audience into awe. The audience is seated directly on the stage, in a three-fourths of an in-the-round setup with cast members entering and exiting from numerous doorways and ladders. And despite the relatively sizable cast, the show creates an intimate feel with its small stage, dark lighting, limited props, and mostly muted costumes. The eight villains slink in and out of the shadows setting a menacing and ominous tone for the audience. There is a chilling bareness at the beginning of the show that slowly creeps and crescendos into an overflowing turmoil of Ash Girl's inner-conflict as she longs for happiness but struggles to believe she can obtain it. The play eventually eases us into the inevitable warm, happy ending only after making us yearn for it and believe its possibility, just as Ashgirl resolves to believe for herself. Kensil's eyes vividly standout throughout the play as she portrays Ashgirl's sway between sorrow and hope. She captures a forlorn gaze and a look of longing with equal finesse. Teddy Rodger and Sam Chapin help cheer up Kensil's Ashgirl and do a lovely job of counterbalancing the show's haunting feel with their warm and funny performances as her animal friends Mouse and Otter, respectively.

Fueled by Wertenbaker's sophisticated text, the entire cast and crew do a wonderful job of creating an eerily ethereal yet engrossing show. The Ash Girl opens tonight and I urge you to go see it and get wrapped up in the dark but oddly tender fantasy.


THE ASH GIRL
Written by: Timberlake Wertenbaker
Directed by: Jessika Doyel
April 21–May 5, 2012
Wednesdays–Saturdays, 8PM
The Connelly Theater
220 E. 4th St. (between Avenues A & B)
Tickets: $18 for general admission, $13 for students (with a pay what you can show on Wednesday, April 25!)
For tickets and more information, go here.
Please also consider donating to their fundraising campaign here. See full post

Friday, April 20, 2012

Zac Efron: Top Five/Bottom Five

Cross-posted on and commissioned by Film.com





Today, the latest Nicholas Sparks adaptation, The Lucky One, starring Zac Efron, comes to theaters nationwide. I've never seen a Nicholas Sparks film in theaters, but plan on breaking my streak for this solider-falls-in-love-with-a-woman's-photo-then-there's-shower-sex! flick. Unfortunately, Zac Efron's record isn't too strong when it comes to making quality pictures, so there is a strong chance that this movie will be terrible. But the Zefron isn't 0 for 22, some of his credits are actually less than awful. Doubt me? Read on, as we try really hard to rate the films of Zac Efron. It should be noted that FINE, finding five good Zefron films is no easy task, so we took some liberties.

Top Five

5. Hairspray
I know lots of people love this movie, and yes, I LOVE the stage musical, but I tried and failed to watch this film three times before actually succeeding. I don't know what it was about the transition from stage to film that made me dislike it so, but my best guess is John Travolta. Zef is undeniably adorable at least, and perhaps the only part of the movie I truly enjoy, even though his acting is actually pretty horrendous. Still, I can't ignore a score of 91% on Rotten Tomatoes, so Hairspray, you make it in the top five.

4. Liberal Arts
Okay, let's be honest, I haven't seen Liberal Arts, truth, but I needed something to go here, and everything I've heard about this movie (which got a rare standing ovation after screening at Sundance this year) points to making it into Zefron's top five. Written and directed by How I Met Your Mother's Josh Rador, who also stars, Liberal Arts is about a thirty five year old man who visits his alma mater and falls for a nineteen year old student, played by Elizabeth Olsen. Aldo Zac Efron doesn't have a large part, here is a rare case of a Zef character role, playing what the Hollywood Reporter describes as a "shamanistic campus hanger-on" and D Magazine says he plays one of the most enjoyable characters in the film and First Showing calls his performance the "real treasure" of the film. 

3. Me & Orson Welles
Not perfect by any means, but this Richard Linklater movie that follows a teenager (Zef, natch) hired by Welles to play Lucius in his production of Julius Caesar is no question one of Zac Efron's best films, although not even remotely his best performance.  In fact, Efron and Zoe Kazan as a potential love interest are easily the least appealing parts of the movie, but if you can get past them, it's not half bad. Christian McKay is perfect as Orson Welles, and any film that takes place in the theater will take a small part of my heart.

2. Firefly Episode 1.7, "Safe"
In the seventh episode of Firefly, Zac Efron plays a young Simon Tan in the opening flashback, wearing fancy clothes, speaking Mandarin chinese, the whole deal. Although he wasn't as perfect as Skylar Roberge, who might *actually* be a Summer Glau clone, Efron does a fine job. And although Safe is one of my least favorite Firefly episodes, it still has probably the best written script of anything Efron has ever done. IF I'd seen The Lorax, maybe it would take this slot? But I haven't, so FIREFLY IT IS!

1. 17 Again
I LOVE THIS MOVIE. The film that made me fall for Zac Efron. Before seeing this movie, I didn't get the Zac Efron thing. I thought he was a horrible actor and not even that good looking - the swooning he attracted made no sense to me. But that aaallll changed with 17 Again.  I've seen the film countless times, and despite the befuddling negative reviews, I consider it to be Zefron's best film, and his best work. The film is so in on the joke that there is even a Zefron dance number, helloooo. I feel the same way I did today when I saw the film almost three years ago, and encourage you to see it if you haven't already. I'm completely serious.

Bottom five after the jump


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Tuesday, April 17, 2012

The Spidey Project: 1000 Times Better Than That *Other* Spidey Musical



This past weekend, The Spidey Project ended its six week run in Los Angeles. The show, which originally ran in New York around the same time Turn Off The Dark first delayed its opening, was extremely acclaimed at the time, so I was heartily surprised to hear that reviews were more mixed of this Theater Unleashed production. I decided to go see for myself and came to one conclusion: theater critics out here are snobs who don't know how to let go and enjoy. What other explanation could there be for not enjoying this piece of theater that I couldn't watch for a moment without a smile plastered across my face?

But let's not get ahead of ourselves. 


The evening began in a small lobby surrounded by things to look at, interact with and purchase - fan art on one wall, audience haikus on another, Spiderman wristbands (that read Great Power Great Responsibility, natch), glow in the dark spider rings, and an aces concession stand that not only had standard delicious snacks but had COFFEEMATE for FRESH COFFEE (seriously, wtf, yes, thank you) and an awesome red and blue colored cocktail called a Webslinger. I drank two. 

After the jump, on to the show! 

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Hello Avengers, Wanna Adopt A Direwolf AND BUY ME AN IPHONE?!

Rargh. These make me want a stupid iPhone.




Hat Tip: @tooadorkable See full post

Monday, April 16, 2012

PEN: A Festival of International Literature in New York City

Literary geeks of New York! The PEN Festival, which promotes international literature, will be held in our great city from April 30th through May 6th. Commemorating the 90th anniversary of the PEN American Center, the festival will have tons of excellent events featuring a diverse group of artists. The events include discussions, performances, and screenings, all celebrating contemporary works and topics in literature. Two events that stand out to me are: Opening Night—The Kronos Quartet: Exit Strategies, a collaborative performance exploring the relationship between music and literature; and a film screening and discussion with the multi-talented Marjane Satrapi, Marjane Satrapi: Persepolis and Poulet aux Prunes (Chicken with Plums).

You can find out more about the festival's events, ticketing information, and the PEN America Center here. See full post

Friday, April 13, 2012

About All That Cabin in the Woods Buzz....

Cross-posted on and commissioned by Film.com



Ever since Cabin in the Woods had audiences freaking out at Butt Numb a Thon and even more so at SXSW (and for many of us, way before then), it's been perhaps the most buzzed about original film of the year. While running errands a couple days ago, two employees and two customers began talking about the film, seemingly prompted by nothing, discussing whether or not it will be like say, Saw, or something more subversive. So for the confused or uninitiated wondering what this buzz is all about, let me break it down for you - spoiler free of course.

The Hold Up
Cabin in the Woods was originally shot in 2009 for MGM, and when the studio went under, the film just kind of hung around for a while, wondering if it would ever see the light of day. So it's not like Cabin just popped up a couple months ago and people started gabbing. Some of us have been anticipating this film for *literally* years. Anticipating an ORIGINAL film for years is extremely rare. So when Cabin started screening, most notably at Butt Numb a Thon, and word on the street was that it was balls out amazing, well, you can imagine how difficult it became for us geeks to contain our excitement. While the hold up was initially so frustrating for us all, a lot of positives ended up coming out of it other than the long period of time to simmer in anticipation, including enough of a chance to resist 3D conversion (thank goodness for that) and the GIANT strides that have happened for the people involved since wrapping. 

Joss Whedon
Certainly this applies to Joss Whedon. Once and to a certain degree still, a geek's geek, beloved by a very specific niche audience, who everyone else ignorantly turns a nose up at, now Whedon is about to enter the arena of household name-big budget-massive franchises. If Cabin had been released when intended, maybe his involvement would have been brushed off by the more mainstream audiences. But here, in 2012, mere weeks after Cabin hits theaters, so will The Avengers, directed by none other than Whedon himself. The Avengers has already put Whedon on the map outside of the geek crowd. Remember when I mentioned hearing employees discussing Cabin a couple days ago? One of them got more interested the moment someone else mentioned that the writer is directing the Avengers. 

Chris Hemsworth
Not to mention the cast! Since wrapping, Chris Hemsworth went and oh you know, became Thor, NBD, and apparently ultimately got the job because Whedon called Kenneth Brannagh and recommended he give Hemsworth another shot. Then as luck would have it, Whedon and Hemsworth reunited to shoot The Avengers. Hemsworth has a huge following now and brings a star element to the film that previously didn't exist. I'm personally excited for the film to open so people will see what Kristen Connolly (who holds a masters in drama from Yale, whatwhat) can do and start propelling her towards stardom. 

Former Buffy/Angel Writers Taking Over The World
Continuing the trend of former Buffy writers taking over the world, Cabin in the Woods is Drew Goddard's directorial debut. Since Buffy's end, we've seen David Fury writing and producing for Lost, 24 and Fringe, David Greenwalt creating and showrunning Grimm, Jane Espenson writing for Once Upon a Time, Dollhouse, and Battlestar Galactica and showrunning Caprcia, Marti Noxon writing Fright Night and writing/producing for Mad Men and Glee, Drew Z Greenberg executive producing Warehouse 13, and the list goes on and on. The writing room for Buffy and Angel was the breeding ground for greatness and the proof is in the pudding. 

#discoverthesecret
Word on the street wasn't just that the film was great, but that it is important to not know anything going in. I echo this statement and hope you have done your best to avoid all trailers and simply know you are going next weekend. I went in 100% cold and was astonished at what I found. Other people will argue that the film is unspoilerable for reasons that will become clear to you, but I disagree. I think part of the wonder of Cabin, part of its genius, sits in the audience not knowing what exactly to expect, which simultaneously makes it impossible to market and yet all the more desirable to dedicated genre audiences.  If you *have* seen the trailer, don't worry, it's only the tip of the iceberg, but if you have managed to avoid it until now - keep it that way. But what builds more buzz than being told by multiple sources that you MUST see it before it gets spoiled for you and know NOTHING going in? OhgodIwanttoseeitagainrightnow.

Husband Bulge
Aside from being shrouded in secrecy, which certainly adds to the draw, the film is also intensely quotable. Most of the quotes at least to me, act as a spoiler, so best to only engage in a quote-off with other folks who have seen the film, but at least one of them, "husband bulge" spoils nothing while still being incredibly specific and reminiscent of some great moments in the film. Bring a pen and paper cause some of these lines you will not want to forget. 

It's Not Based On Anything and Not A Franchise
!!!!!! Huzzah for original genre material! ORIGINAL GENRE MATERIAL!!! That's enough on its own to get me buzzing.

It's Fantastic
In case you were wondering....:)

Are you planning on seeing Cabin in the Woods, opening today nationwide? Have you managed to avoid knowing anything about it? What excites you about the film? Sound off below!
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Tuesday, April 10, 2012

Crushes of the Week

In which I fangirl out in the worst sense of the word and everyone is embarrassed for me



Fringe was excellent this week, as was Seth Gabel as both Lincolns. My personal favorite is Agent Lee (as opposed to Captain Lee) - I will date you if no Olivia will!

   
Holy scruff, Phillip Phillips! Swoooon.


Something about Jake Johnson on New Girl.....amiright?
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Friday, April 6, 2012

Review: Comic-Con Episode IV: A Fan's Hope

Cross-posted on Film.com



It's no secret to anyone who knows me or regularly reads me here, or on my Twitter, that I am a Comic-Con lifer. I've been going since I was two years old and I hope to never stop. The closest I've ever come to missing a Comic-Con was when I was 16 and had previously been in Ireland for a Summer program. But I flew directly to San Diego from Ireland and although I missed the panel I was most looking forward to (all I remember? It involved Jason Lee and Ben Affleck) because I detained at the airport for having the same name, birthdate and description as a runaway from Reno (no, really), I still made it for a solid two days of nerdy gloriousness. Which is why I think I am not a bad authority on whether or not, say, a documentary on Comic-Con works. I was lucky enough to catch an early screening of such a film, Comic-Con: A Fan's Hope a few weeks back, and I would like to say definitively that yes - it works. In spades.

The film, produced by Harry Knowles, Joss Whedon, Stan Lee and more, directed by Morgan Spurlock, takes a look at 6 different people making the pilgrimage to Comic-Con for a host of reasons, as well as a look at the Convention experience itself. While it doesn't delve too much into history other than opening with some vintage photos and radio interviews, that ended up not bothering me - this isn't a documentary about this history of Comic-Con - that movie will come another time. 

What the film does capture well is what it is like to attend Comic-Con, whether as a collector itching for that one particular exclusive, an artist looking to make connections in portfolio reviews, a cosplayer participating the masquerade, a comics book dealer hoping against hope to make a profit, or as fans who met and fell in love at the geek mecca. Expansive shots of the crowds descending on the convention center, then swarming in the inside, plus a look at the long lines and claustrophobic nature of Hall H doesn't sugarcoat the fan experience. It's crowded and requires long, tiring hours for those moments of seeing someone you admire talk or getting their autograph. But the movie also emphasizes how worth it it is for everyone who attends. Many people who are important to Comic-Con in some way were interviewed, but tons of fans were as well, many in costume, not shy about revealing which geek icons they were excited to see the most or which encounters left them the most star stuck. One of my favorite instances of this was when Paul Scheer talked about being in an elevator with Joss Whedon and finding himself unable to say anything to someone he loved so much. 

Following individuals into Comic-Con was hands down the best way to approach capturing the Comic-Con experience. We followed these two aspiring artists as they filled their days with portfolio reviews, an aspect of Comic-Con I barely knew existed, and how their ventures play out were fascinating to watch. Don't be surprised if you find yourself getting a little emotional. We also had the pleasure of witnessing some very dedicated cosplayers make some faneffingtastic Mass Effect 2 costumes for the masquerade, and got to be a part of the whole pre-masquerade rigamarole, from turning in forms, to rehearsals, to the night itself. This storyline was probably my favorite, and from the sound of it, the audiences as well, as ringleader Holly Conrad's "what happened since this was shot" placard got the largest and most enthusiastic response. And made me cry. The collector only shows up briefly, but demonstrates handily the convention collector culture, and anyone who was at the Kevin Smith panel in 2010 knows about the "lovers" track, following a boy with the plan to propose to his girlfriend who he met at Comic-Con the year before, during the Kevin Smith panel. Again with the tears. 

Perhaps the most dramatic track was that of the comic book dealer,  Chuck Rozanski or the "survivor" as he was referred to in the film. Any regular Comic-Con attendee knows the "Mile High Comics guy", with his long braid and magical way of convincing you to buy comics when you're on the fence. He spends most of the movie highly concerned that he is going to be forced to sell some of his most prized possessions in order to not go out of business, as he sees Comic-Con going much more in the pop culture direction than the comic book direction. We spend the whole movie crossing our fingers that he makes enough cash by the end and can put his beloved Red Raven #1 back in the safe. There is no question in my mind that this year, I'm making more of an effort to buy my comics on site from these dealers. 

What's cool about these specific people and their stories are that it's a perfect microcosm - all 125,000 people who attend Comic-Con are there for different reasons. Most of us who spend the bulk of our time in Hall H or Ballroom 20 don't even know about things like portfolio reviews or the masquerade (although I attended the masquerade every year until about 2005. Ready for this old school masquerade reference? Rock! Rock! Rock!) and anyone who doesn't do the Hall H experience had no idea about the proposal. 

What this film also does very effectively is create a "laughing with" filmic experience. I never found myself laughing AT anyone, but I laughed a lot. Someone else's intense geekery for Phineas and Ferb is a lot like intense geekery I've felt for Star Wars or Buffy or Shaun of the Dead or Battlestar Galactica or Game of Thrones or Fables, so my laughter never held any malice, and the intention of the film was never to encourage such a thing. We're all in this boat together and the film really captured that nicely. It filled me with joy (and as I've said before, often tears) from start to finish and reminded me how much I love the place I for so many years referred to as my home away from home, the place I've always felt I belong the most. 

As stressful as Comic-Con can be between getting to every panel I want to see and attending every party I want to go to and buying every exclusive on the floor I need, at the end of the day, it's one of the most magical events in the world and some people spend their lives dreaming about attending. You know what this movie really does most of all? Makes me want to smack anyone who ever complains about "having to go" or being "forced to cover it." Then don't. Don't go. It's a place of love, of acceptance, of sharing in our geekery together, and if you're gonna roll your eyes and complain, you're doing it wrong. 

Also? I knew Matt Fraction is talented. I did not know Matt Fraction is hot. I would like to date him. The end.

Comic-Con Episode IV: A Fan's Hope opens in Los Angeles Thursday April 5th, San Francisco and Portland Friday, April 6th, New York, Boston and Washington DC on Friday, April 13th. You can also watch it On Demand Friday April 6th. There will also be special screenings with Morgan Spurlock Q&As across the US through Tugg.com
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Monday, April 2, 2012

On The Scene - Jason Reitman Live Read of The Big Lebowski



Last night marked the final installment of what has in six quick months become a highly popular Los Angeles cultural touchstone, Jason Reitman's Live Series. Much to the delight of everyone in attendance, curator Elvis Mitchell announced right before the performance began that the Live Series would return in October with six brand new scripts. Reitman himself apologized for his "day job" that would keep him occupied during the summer, but expressed great enthusiasm about returning later in the year. Hell. Effing. Yes. This was easily the most packed of the six Live Reads, with a stand by line circling around the Wilshire LACMA entrance, triple the size I've seen in the past.

Both Reitman and Mitchell decided that the final script of the first series should be a crowd pleaser, something overlooked originally by critics, but that maintained a cult status in years to come specifically because of its strong script, or as Mitchell put it, a film "ignored by the mainstream, but still found a way into our hearts...and bongs as the case may be." Naturally, the film that ended up being chosen was the Coen Brothers' The Big Lebowski, which was released fourteen years ago this month. The film has over 40 characters so presenting it as a reading with only nine actors was no easy task. But, and I hate to sound like a broken record, but if it's true it's true - this Read was even better than the last one. Which was leagues better than the last one. Oh Reitman and your learning and applying your learning! 

The cast, sitting from house right to house left was as follows: Lebowski (originated by David Huddleston) : Jason Alexander, Brandt (originated by Philip Seymour Hoffman) : Fred Savage, Jesus (originated by John Tuturro)/Jackie Treehorn/one of the Germans/many more : Nick Kroll, Bunny (originated by Tara Reid)/waitress/Pilar/German woman: Catherine Reitman, Donny (originated by Steve Buscemi)/Dieter/more: Hank Azaria, The Dude (originated by Jeff Bridges) : Seth Rogen, Walter (originated by John Goodman) : Rainn Wilson, Maude (originated by Julianne Moore): Christina Hendricks, and The Stranger (originated by Sam Elliot): Sam effing Elliott, who got a standing ovation just for walking on stage. Because. Sam. Effing. Elliott. Reading. The Stranger. 

Where to even begin? Shampoo was a fine introduction, Reservoir Dogs was a raucous good time, but The Big Lebowski was in a league of its own. There was a level of professionalism and preparation among the actors that was unlike anything I'd seen yet, definitely the tightest script read of the three I've seen. Clearly each person on stage took this INCREDIBLY seriously and went to great pains to make sure he or she could deliver. Seth Rogen (who I kind of wished was wearing a bathrobe) and Rainn Wilson were so pitch perfect, I was not alone in thinking that if the movie had been made today, with those two actors in the roles, it would have worked just as well. It was as if Seth Rogen's stoner chill meets over the top exasperation and Rainn Wilson's comical intensity were crafted by the universe to play The Dude and Walter. They did not miss a word. They did not miss a moment. There was specificity, tactic changes, appropriate tonal shifts, I was FLOORED by what these guys were doing, and they made it look so easy. Word to the wise - this is *not* easy and it's rare to get through an entire live reading with a truthful, full fledged performance, without screwing up even once. And Rogen's rolled papers that he "smoked" from as a prop whenever the script called for it? Love.

More after the jump

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Wednesday, March 28, 2012

Los Angeles! See American Reunion Early And Support A Good Cause

If you have been following All Things Fangirl for a while, you know we are huge supporters of the charity event Hell Walk, currently gearing up for the intense second installment. In the next couple weeks, we'll sit down with Josh Tate again and discuss the 2012 event, taking place on June 30th. In the meantime, I wanted to direct your attention to a screening of American Reunion happening in Westwood tomorrow night in support of Hell Walk 2012. If I wasn't covering the Jason Reitman Live Read that night, I would be there in a heartbeat, so I highly encourage all of you available fangirls in the Los Angeles area to head over there Thursday night and show your support in my stead! Oh and be sure to head here for more information on Hell Walk in the coming months!

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Friday, March 23, 2012

Best Finds of Wondercon 2012

As per tradition, here is our wrap up of the best finds on the Wondercon floor. As a Dealer's Room junkie, I always like seeing what I missed at various conventions, and enjoy providing that service for you readers as well.



Gaming Table
One of the absolute coolest booths on the entire floor, the gaming furniture created by Geek Chic is truly after my own heart. Each piece is individually made and can be custom fit for whatever type of geek you are. Need a place for your controllers to live? Done. Need a gaming table with a built in area for throwing dice? Easy! How about a simple way to organize your comics? Done! I mean, yes, these pieces cost between 2000 and 3000 dollars, but I JUST WANT ONE SO BAD. Oh man, the unnecessary items I will buy if and when I am a rich person. Beginning with a custom made table that makes playing Xbox and the Battlestar Galactica Board Game slightly more convenient for me. WOOT!

Nine more peaks at the best of the Wondercon floor after the jump!


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Thursday, March 22, 2012

16 Reasons to See Hunger Games This Weekend

Happy Hunger Games!

If you weren't one of the one million people who saw the film at midnight last night and are wrestling with whether or not to go this weekend, here are my 16 reasons why you should make a point to make the trek out to your local theater and catch the film as soon as possible.

Jennifer Lawrence

Not only is Jennifer Lawrence the perfect Katniss (I take back all my naysaying!) who nails her internal struggles, telling us everything we need to know with her eyes, but as a person, she is one of those rare gems we need more of in this industry. Self-effacing, real, honest and unafraid, she has the potential to become one of the definitive great actresses of the next generation and here is the film that will catapult her into stardom. Seeing the movie both supports her career, and grants you the pleasure of watching her embody the iconic Katniss Everdeen inside and out.

To support films with female leads

They say films with a female lead generally can't open, no matter how often the mysterious "they" may be proven wrong. So continue to support strong leading roles for women by throwing your weight behing Hunger Games.

Katniss is the role model young women need

Unlike the lead in a certain other young adult series cum film franchise, Katniss' purpose isn't to simply be with a man, but rather  protect her family and *all* of the people she loves. She is fueled by keeping her promises and doing what is right, via wit, reasoning, and courage, despite her fears and insecurities. She may be a teenage girl, somewhat broken by poverty & war, who at times makes irrational decisions, as you do, but ultimately, her heart is in the right place and she exhibits all the qualities of someone we actually root for and want to succeed. Please prefer Katniss over Bella, future daughter. I beg of you.

Relevant

Author of the books and co-writer of the screenplay, Suzanne Collins, has been very open in talking about where her idea for Hunger Games came from. Yes, it all goes back to greek mythology ultimately, but the specifics came from flipping back and forth between war footage and reality television. Is the future we see in the Hunger Games really that much of a stretch? There are enough similarities in the world we see in the book and film to make it almost tangible, and thus all the more frightening. The series is ultimately about the awful truths of war, a war that is painted over, made to look pretty, disguised as something entertaining, as something necessary, as something we should be honored to be a part of. Collins does a great job of drawing us in, only to rip the rug out from under us. The film does a great job of beginning this journey at an extremely appropriate time in our history.

Josh Hutcherson

I doubted him. Boy did I doubt him. But that face! That sweet, expressive, totally in love face! Although I thought the character didn't get to do quite enough, I thought Hutcherson stepped up to the plate with gusto in order to nail what material he was given. The brief moment when he looks out the window and loses it while leaving District 12? The thoughts running through his head when he says he doesn't want to forget? The way he looks at Katniss ALL of the time?! Well done, Hutcherson. You have officially won me over.

To be a part of the conversation (potential spoiler alert)

I liked the movie. A lot. I also have some problems with it, namely the short shrift the Katniss/Peeta relationship gets. Not because I'm girling out and wanted a better makeout scene (but also, I am and I did), but because even though I understand certain areas had to be emphasized and other areas had to be deemphasized in order to properly set up the series' enormous tone shift of a final installment, putting Katniss' relationship with Peeta so far in the background takes away a lot of what the first book so wonderful and potentially harms the impact of certain events in book two and three. My ultimate theory is this will be fixed in book two, but, for those of who don't know what I'm talking about - don't you kind of want to? I want to debate! I want to see who feels similarly! Who agrees, who disagrees, who liked the movie and who didn't, and the long list of reasons why. If you don't see the movie, you will immediately be in the minority, especially if you are in the entertainment industry, and this is an *exciting* conversation to be able to partake in.

Maintains the integrity of the work

It's pretty rare that a movie so captures the tone and atmosphere of its source material the way Hunger Games does, and although it's not a word for word adaptation and many parts do get truncated, what the film gets right, it gets perfectly, and anything that is wrong seems to have a reasonable explanation. Everyone involved in the making of the film wouldn't have it any other way, and shouldn't we be supporting that when we can? The film was not dumbed down and did not placate to the Twilight audience. Quite the opposite in fact, as I mentioned above.

So you can tell Jeff Wells what's what

He said you can't trust female reviewers of the movie and that essentially the only right answer is that the film is stupid because it alters itself to be more appealing to teen girls. This is so far from the truth or sense of any kind, that it makes me want to scream. Scream with me, won't you?

Elizabeth Banks

Thank goodness Banks campaigned so damn hard for this role. She is perfection, bringing in roughly 95% of the laughs in the film with her overly enthusiastic and forgivably snippy line readings. There is an authenticity Banks brings to the role with ease that I can't image other actresses fans considered, such as Kristin Chenoweth, could bring to the table.

Maybe it'll make you rent/buy Battle Royale?

One can always hope, right? PS - if you *wanted*, you could buy your new blu-ray of Battle Royale right here :)

Music

Okay, so this isn't really a reason to see the movie, but more a reason to buy the soundtrack. It's fantastic. Rock, appalachian, americana, alt-county, but all with a unifying sense of "We send our children into an arena to kill each other." Artists include personal favorites Low Anthem, The Civil Wars, Glen Hansard, The Secret Sisters and Arcade Fire, and that's just to name a few. Three of these songs play over the closing credits. So hey, that totally counts as a reason to see the movie after all! Huzzah!

Successful World Building

If you appreciate solid production design, costumes, hair, makeup, art direction and so on, you will get a huge kick out of Panem and everyone in it. The capitol is decked out in bright colors and outrageous accoutrements, each citizen a feast for the eyes. Meanwhile, District 12 represents the polar opposite, existing in seemingly another era, much more Appalacia of the 1800s then the flamboyantly variegated landscape of the distant future. While both areas are completely different, they still feel as though they exist in the same universe - not an easy feat. Overall, the movie is an undeniable treat for design junkies, however you may feel about any other part of it.

Caeser Flickerman

Stanley Tucci is aces in the role of Caeser Flickerman, completely encompassing what the "host" of the Hunger Games would really be like. He is a slightly more sinister Ryan Seacrest with blue hair and no apologies and watching Tucci have a ball with the role is a hoot.

Relate to the kids!

So I don't have kids or work with kids anymore, and frankly still kind of consider myself a kid, but if finding ways to relate to the youth is of importance to you, seeing Hunger Games will certainly help. Be the open parent that goes with your kids and discusses it afterward, or the hip parent that can impress your kids' friends with your insight and knowledge into their beloved franchise. Here is something you and your pre-teens/teens can enjoy together, that is potentially so important to them, that anything associated with it will create a long lasting and important memory.

It's even better the second time!

Anything that bothered me the first time melted away upon a second viewing, allowing me to truly dive in to the small, but crucial moments between Katniss and Peeta, and really take in every clue about how their relationship turns out post Hunger Games during the rushed ending. Once you're past the first viewing when you spend most of your time judging, you can settle in and let yourself absorb how solid the adaptation really is. But to get to a second time, there must be a first.

To be a part of the phenomenon

One million pre-sale tickets for a midnight show doesn't happen very often. As we've touched on, these ticket sales are for a film based on a book, written by a woman, with a *strong* female lead character, that doesn't compromise the ultimate point of the series or integrity of the story by dumbing it down for audiences, with an incredible soundtrack and spot on performances. Don't pass up the opportunity to see it during all of the excited fervor. Anticipation and quality rarely match up so heartily and it would be a shame to miss out on experiencing it properly. See full post

Tuesday, March 20, 2012

Here Are a Few Of My Favorite Things: Wondercon 2012

Cross-posted on Film.com


This weekend, Wondercon headed south to Anaheim where fans braved a stupidly intense storm and ridiculous traffic all weekend for the chance to see their favorite writers, creators, publishers, actors, directors, artists and personalities and hopefully take home a few souvenirs. We were on the scene from start to finish and compiled a list of the best this Wondercon had to offer. Details on the best finds of the floor coming in the morning.






Girl Power
Something that really stood out to me during Wondercon, especially in the main ballroom on Saturday, was the hearty amount of female empowerment. During the Sound of my Voice panel, co-writer, co-producer, and co-star Brit Marling talked about being fed up with the bland and sterotypical roles she was being offered, and after realizing her choices were get a sex change or create her own work, she began writing and producing, and soon both Another Earth and Sound of my Voice were born. The extremely well spoken creator struck me immediately as a great role model for disheartened aspiring artists out there, as well as fangirls in general. And fun fact - the film had a female DP in Rachel Morrison! Later panels saw Charlize Theron taking a real ownership of her take no prisoners sass, insisting that Michael Fassbender smells like "musk and chillies with occasional mint thrown in", and telling a small child who asked a question a. if he was single and b. if he would call her when he broke up with his girlfriend, Kristin Stewart talking about how great it was to play a strong character, and while never being unwise enough to insult Twilight, definitely seemed to have appreciated playing such a different character, and Milla Jovovich (headling the first ever series to have five films with a female action lead in Resident Evil: Retribution) discussing her weapon collection and love of She-Ra and Thundercats. Not to mention Maggie Grace and Emma Stone representing their respective movies without their male co-stars present. I felt some sort of unexpected camaraderie with the women on stage during Wondercon's Saturday that I don't recall ever feeling before. And that's not even taking into account the multiple female artists and creators with spotlight panels all weekend long, including Renae De Liz (debuting Womanthology!), Rebekah Isaacs, Carol Lay, Fiona Staples, Felicia Day and Jane Espenson. Hooray for fangirls!


More after the jump

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Wednesday, March 14, 2012

Paleyfest 2012 - Vampire Diaries, How I Is Hearts You!

Saturday night at the Saban Theater in Los Angeles, The Vampire Diaries, now in its third season, returned to Paleyfest for the second time. During their 2010 appearance, the only actors who appeared were Nina Dobrev (Elena), Ian Somerhalder (Damon) and Paul Wesley (Stefan). This panel had not only the original trio, but Candice Accola (Caroline), Matt Davis (Alaric), and Kat Graham (Bonnie), plus showrunner Julie Plec.

Side note: I originally had no intention of attending The Vampire Diaries panel at Paleyfest, but then this little thing called wisdom teeth surgery happened. Since I'm 26 and was supposed to get them out, oh, 10 years ago, the recovery process took roughly three weeks. So how did I spend this time? I watched ALL of The Vampire Diaries, from start to finish, until I was completely caught up. I resisted for so long, believing there was no way it could be as good as I had been told, even though the people telling me this had great taste. I couldn't be happier that I finally gave in because HOLY CRAP do I love it. The show moves incredibly fast, yet no relationship or storyline ever feels rushed, the writing is smart, the actors are all incredibly talented and appealing, which I find is kind of rare on television lately, the mythology hits the most important tropes and diverges in the most interesting possible ways, and almost never is good and evil black and white - everyone exists in a shade of grey and we never know who to trust - or who is going to die. I highly recommend taking this show for a spin, especially if you have a history of being obsessed with vampire shows (ahem, Buffy).

So of course, with my newfound obsession coursing through my veins, I was ecstatic to accept an invite to the evening and revel in finally getting to see these actors interact with each other off screen. But first, we got to see Thursday's brand new episode, 1912, of course. Julie Plec asked us to keep the big reveals in the episode to ourselves, but I will say this - despite a serious lack of Caroline and Klaus, it's a huge episode, that moves the serial killer storyline into place as the next major arc of the season - and not in any way you could possibly see coming.

After the episode, moderator Debra Birnbaum brought out the panelists and after 10 minutes of episode discussion, which will stay private, as it was extremely spoilerific if you haven't seen the epyet, they jumped into the main part of the panel, which was simultaneously streaming online. What started as a normal panel session quickly degenerated (in the best way possible) into an almost free for all, with the actors taking the reigns away from the moderator and simply being as silly as possible, delving into long form jokes about Match.com, the casting couch, and fan fiction. Each actor came off in a very distinct way - Accola as friendly and upbeat, Wesley as intelligent and funny, Somerhalder as goofy and charming, Dobrev as shy, but expressive, Davis as delightfully strange, and Graham as reticent, but sweet & engaging if encouraged. The evening was so chock full of awesome moments, we decided to break them down for you into a list of highlights.

Lost References
Okay, fine, there was only one. On discussing whether Alaric would make it through the season, Somerhalder threw out, "Good luck, buddy, I've been killed on television before," which drew a hearty audience reaction.

Elena and…Alaric?
I'm not the only one who thinks Alaric and Elena have chemistry. When a potential love connection between Elijah and Elena was brought up, Plec responded, "I think Elijah has to get in line behind Alaric" and the audience went INSANE.  Wesley then brought up the movie The Guardian, Somerhalder noting "They made out." Plec brought up Matt Davis starting an Alaric/Elena campaign over Twitter, commenting that if that happened, it would be totally unacceptable, Dobrev agreeing that it would be inappropriate. But Somerhalder shot back, "and yet - fanTAStic! When the ratings slip…!" Later, when Birnbaum asked if Elena would ever end up with someone who wasn't a Salvator, Somerhalder offered "Hopefully Alaric."

@ErnestoRiley
Beginning a shipping campaign for Alaric and Elena isn't the only thing Matt Davis is doing on Twitter. Through his account @ernestoriley, Davis writes Vampire Diaries Fan Fiction. Really. He does. Remember how I said he was a little strange? Just recently he wrote a piece where Alaric gave Damon some advice, to wait on pursuing Elena until she had time to grow up and learn more about the world, like who John Lennon is, cause why would a 165 year old man want to date a naive 18 year old anyway? Truer words, Matt Davis. Truer words.

When Your Friend's Wife Plays Your Love Interest
Somerhalder told us a story about how when Davis found out Alaric was going to get a love interest this season, he was apparently over the moon, wondering who it would be, excited to get a love story like everyone else and for Alaric to "get some". And then of course, his love interest was cast with "his buddy's wife" (Torrey Devito, who plays Meredith, is married to Paul Wesley.) Somerhalder noted how horrified Davis was when he found out, and Wesley joked "HE'S horrified? Forget him!"

Real Life Coupledom
There were also plenty of glimpses into Ian Somerhalder and Nina Dobrev's real life relationship during the almost ninety minute session. Somerhalder made a point to reference his relationship with Dobrev a couple times, first by making a joke about the women in his life torturing him before giving a glance at Dobrev, which can be found in gif-form here, and later by putting his jacket around her shoulders when he got cold. The audience went crazy both times, natch. Later, when Elena and Damon's evolving relationship came up, Plec noted, "Oh, [Damon] wanted to get in her pants from day one" to which Somerhalder replied "Who wouldn't?"

What Is To Come
This season Bonnie will be teaming up with Caroline a lot and will get a love interest that won't die! Or at least won't die yet. The love triangle may not come to THE head, but it will come to A head. Though if Dobrev had her way, Elena would travel abroad ("Gossip Girl did it!") to Italy and meet some non vampire Salvatores. But this season, "Maybe, she has a choice to make." We may also get to see a flashback of Elena's parents while they were still alive, and there was also a hint that not everyone is making it out out season three alive. On a lighter note, when the question was posed whether or not they would show off Kat Graham's voice in the future, perhaps with a drunken karaoke episode, Plec commented that everyone on the show is fairly musical, all the girls sing and back when David Anders was on the show, he played bongos, plus Plec obviously loves Once More With Feeling, and though she doesn't think they could pull off a musical episode, she would "LOVE a drunken karaoke night."

Riling Up The Audience
After Somerhalder joked about the show's low ratings, pissing off the loyal audience, Accola encouraged him to make it up to us by taking his shirt off, setting off perhaps the loudest I've ever heard an audience get outside of Hall H during a Twlight panel at Comic-Con. Note: He totally didn't follow through.

Industry Advice
Perhaps the coolest part of the entire panel was when an audience member asked about the experience of everyone on stage with getting yeses and nos, how they made it through the rejection, and any advice they can impart to the audience. What followed was a lengthy, fascinating discussion about the industry, including how Somerhalder bombed his network test so bad, he got a no, but Williamson fought for him to get a second chance, which led to him eventually getting the role. Somerhalder knew Damon was his and had to make it happen. Somerhalder, Wesley and Accola all offered great advice, Accola emphasizing positivity, with Wesley agreeing, "The single most important thing is believing in yourself." Accola also offered some extremely enlightened advice for aspiring artists "No doesn't mean never, it means not yet." Somerhalder reiterated the well known adage that luck is when opportunity meets preparation, so you as an artist must always be prepared so that when opportunity arises, you can grab it. He ended with "Every time you lose, you get better."
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Sunday, March 11, 2012

The World of Downton Abbey: A Companion Book Done Right



As any fan of the British sensation Downton Abbey will tell you, the idea of waiting a whole year for new episodes (or 6 months if you're okay with that whole illegal downloading thing) is unbearable. So what to do while we wait? HOW TO FILL THE GAP?! Sure, similarly themed shows can help, but that's not the kind of filler I'm talking about. When I finished Season 2, I just wanted MORE, more of the world, more of the characters, more of the costumes, more of the Dowager Countess saying badass things, and the list goes on. Even the DVD of season two only has a half hour of extras! So what is the answer?! HOW DO WE GET OUR FIX?!

Fear not! Solution! Though it was released at the end of last year, no American dared to lay their eyes on companion book, The World of Downton Abbey until this past week, when the second series, spoiled even on the cover, had come to an end. But now that we're all of us on the same page (at least until September, when suddenly places like tumblr and twitter become a hotbed for major spoilage) I highly recommend picking up this book to make the time between now and then easier and in the process, make yourself appreciate what Downton Abbey has accomplished even more.

This companion book, by writer, editor and niece of Julian Fellowes, Jessica Fellowes, is the real deal. This history textbook meets coffee table photo book meet meets art book meets featurette meets interview meets quote book clocks in at almost 300 delectable pages. Unlike some other books for review that have landed on my desk recently, The World of Downton Abbey finds the perfect balance between being chock full of information, yet a breeze to read. It is divided into nine chapters - Family Life, Society, Change, Life in Service, Style, House & Estate, Romance, War and Behind The Scenes, plus at the very end there is a complete cast list and recommended further reading. The pages are colorful, filled with sidebars, photos, quotes and more to keep the eye engaged as well as the mind. This also allows for the option to read every word of the entire book, or if you're a guest in someone's home, or showing it to a friend, the ability to flip through, reading just side bars, excerpts from the teleplays, and quotes, and still get a sense of what the book is trying to teach.

Details after the jump!

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Friday, March 9, 2012

Dear New Yorkers with ears: go to this show!


The phenomenal rock musician Damon Daunno will be performing this Monday night at Mercury Lounge in the LES. From his sweeping vocals to his great songwriting skills, everything about Daunno's music is fantastic. He regularly gets compared to Jeff Buckley--a comparison he's more than earned. Having had the pleasure of seeing him live a few times now, I highly recommend going to his upcoming show. At just $10 a ticket, it'll be a steal.

Damon Daunno
Mercury Lounge
Monday, March 12th
6:30pm
$10


His EP is also available for download on iTunes so get on that deal as well! See full post

Tuesday, March 6, 2012

Game Of Thrones Blu Ray Review: Easily A Must Own.





FINALLY. All of you non HBO subscribers out there who are sick of hearing about how awesome Game of Thrones is, without the ability to watch it, it is the dawn of a new era. An era where Game of Thrones Season one is out on DVD and all is right with the world. If you haven't seen the show yet, you may want to hold your horses now, as spoilers in this review are fairly inevitable - but heed these very important words: go buy or rent this blu-ray immediately and watch every episode. Don't walk, run. Don't drive, speed. Don't glide, fly. Don't take a mule, take a horse. I don't even KNOW WHAT I'm SAYING, just go WATCH IT.


For those of you who watched season one and are on the fence about picking up this Blu-Ray set? Well you can keep on reading and then your fate shall reveal itself. After the jump.



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Friday, March 2, 2012

leetUP 2012: Welcome, Nerd Art Party. It's About Time.





Last night marked the first ever leetUP, the brainchild of G4 creator Charles Hirschhorn, and Attack of the Show host Kevin Pereria, that could best be described as a "Nerd Carnival." The idea was to create a kind of mix of a convention with an art party, encouraging a bunch of nerds (and I include myself in the definition of "nerd," obviously) to get together, drink, mingle, play, and watch their favorite personalities podcast it out on stage. For those of you that couldn't attend, I thought I would lay out the evening for you.





leetUP was held at Club Nokia downtown. While the layout of the space was perfect for this kind of event and could clearly handle the ample A/V needs, there were some major drawbacks as well. For one, the drinks were MASSIVELY expensive. As in 8-12 bucks each for a tiny plastic cup of wine or liquor. I don't drink beer generally, but if I did, it was hardly the cheaper option. The only food available (I assume because those were the rules of the space) were the disgusting refrigerated options from Club Nokia itself. Plus the security was bizarrely tight (metal detectors? I have to take my jewelry off? Really?), I heard Ticketmaster, who sells tix for Club Nokia, had an insane service charge, our parking cost $25, and the line to pick up tickets was unreasonably long, with no separate entry for press. Still, none of this was the fault of the organizers or producers, so I don't mean this as a criticism of the event, but rather as an encouragement to find a more accommodating venue next year. 



But on to the good stuff, which was everything else. After the ticket takers, but before entering the space, there was a merch table set up with items being sold by any guests, DJs and sponsors. In retrospect, I really wish I had picked up one of the Tru Protection anti glare iPad screens and taken more of an in depth look at everything else offered. 

Inside the doors, to our right was a giant bar that struck us as rather space-shippy. A sign told us we could only have two drinks maximum, but we laughed at it and then had three. Unfortunately, 3 drinks for each of us ended up costing a hefty $66 bucks. That plus parking came out to $91, and for the people that bought tickets off on ticketmaster? Easily $150 bucks for two to attend and drink over the course of five hours. Again, not the fault of the producers, but eff you, Club Nokia.

In the center of the space was the giant general admission area, with a huge stage, balcony up top for VIPs, and huge lightboard. Around the perimeter were the various funzones. To the right, past the bar, was the gaming area. Here there were a bunch of wiis set up, and a classic arcade game section, where my +1 and I had a blast trying to get a handle on Burger Time. We died a lot. But had a damn good time doing it.

To the left of the bar was the step and repeat with a red carpet, a Media Hound booth, and a mini gallery of some awesome pieces from the ACME archives.  Any attendee could take their photo on the red carpet, which is always fun, and even cooler, Media Hound would put your photo on their website if you created your own personal movie playlist. Let me backtrack. Media Hound is a new service that tells you how you can access any movie or tv show instantly (legally of course) and at what cost. This would have been handy for my "How to watch all the academy award nominated movie" article a week back! My friend created a 90s Weekend Jam with all TV shows from SNICK and TGIF and the always wonderful @meli_molina came up with "Best original movies that have been or will be remade" - an idea that everyone at Media Hound loved and got lots of love over the course of the evening. There was a whiteboard up for writing ideas for playlists, and computers available for sifting through the playlists created earlier in the evening. 

The rest after the jump!
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