12 Most Anticipated Movies of 2012

Cross-posted on and commissioned by Film.com

Somehow 2011 is just about over. I know, this seems absurd, what is time? But fret not! Yes, we’re all about to get one year older and the world’s about to end, but we also get to see The Avengers together on the big screen for the first time, so EVERYONE CALM DOWN. It’s actually a great year in many respects, and we’ve decided to break down what we’re looking forward to the most. First up, the movies.

Honorable Mention: G.I. Joe 2: Retaliation (June)

I am one of three people who loved 2009′s G.I. Joe: Rise of the Cobra and am greatly looking forward to the 2012 sequel, which sees the return of Channing Tatum and Ray Park and introduces a whole bunch of new characters and actors, including Bruce Willis, The Rock, *and* Arnold Vosloo, aka the Mummy himself. Listen, I’m telling you, sneak a six-pack of beer into the theater with you, exercise the third greatest gift on Earth (#muppetsreference), and enjoy. How can it not be brilliant?! Not to mention the trailer kind of makes the film look like the G.I. Joe movie everyone was hoping for in the first place, so who knows? This one might jump past ironic and go straight into great action movie territory.

12. Disney 3-D Re-releases Galore! (All of 2012)

A few months ago, I went to go see The Lion King 3-D with 14, yes FOURTEEN, friends of mine opening weekend. We wept, we sang, we reminisced, and perhaps the best part of the whole thing? Sitting near little kids who would ask their parents questions like “Will Simba come back?” and “Why is the birdie so mad?” It really seemed like the film was designed with 3-D in mind, and I can’t wait to see how Beauty and the Beast, The Little Mermaid, and Monsters Inc. fare with the same treatment. I’m sure Finding Nemo will be beautiful as well, but the film itself doesn’t carry the same nostalgic weight for me or my generation, so that one may not make the opening weekend cut.

11. Wreck It Ralph (November)

What? What is this doing here? The movie that almost stole D23 with its unexpectedly awesome presentation, I’m certain this film will surprise audiences just as much as it surprised the press in Anaheim. Wreck It Ralph tells the story of an 8 bit video game villain, Wreck It Ralph, voiced by John C. Reilly, who is sick of being the bad guy and goes on a quest to become a hero instead. The premise is smart, the voice cast fantastic, the animation creative and fun, and all in all, the film seems fantastic.

10. Prometheus (June)

The long awaited is-it-a-prequel-or-isn’t-it-but-really-it-is to Alien, shot in 3-D and directed by the man himself, Ridley Scott, starring Michael Fassbender, Charlize Theron, Noomi Rapace, Patrick Wilson, Idris Elba, and the list goes on. Written by Damon Lindeloff and boasting some impressive yet elusive preview footage, this film has fans everywhere, myself included, eagerly awaiting its release.

9. Cabin in the Woods (April)

FINALLY. How long have I been waiting for this damn movie? Written by Joss Whedon, directed by the dark, tall, handsome and talented Drew Goddard and starring a collection of stellar 20-somethings, including Thor‘s Chris Hemsworth, Grey’s Anatomy‘s Jesse Williams, Dollhouse‘s Fran Kranz, and mark my words — breakout star Kristin Connolly. And don’t forget about ringers Richard Jenkins and Bradley Whitford. I’m avoiding the trailers for this one, as I’ve heard it gives away a bit too much, but no matter what, I will be seeing this opening weekend. Plus, word on the street is the movie’s fantastic. The countdown has begun.

More after the jump!

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Heavy Fire Afghanistan: PS Move Saves A Mediocre Shooter From Total Damnation

Cross-posted on and commissioned by Gaming Blend

With motion technology becoming more and more a part of at home gaming, we are beginning to see an influx of more arcade style titles. The latest is the railed shooter Heavy Fire: Afghanistan, which essentially exists just to try and capitalize on the success of the Call of Duty franchise. Unfortunately, this isn't Call of Duty: Motion Sensor, it's Call of Duty Knockoff: Motion Sensor, so it leaves a lot to be desired.

First off, the game opens with a painfully disconnected voiceover paired with a painfully pedestrian backstory. Yikes. Not a good sign. Both a Bukowski quote and the line "My name is Will and this is my story" make an appearance. The graphics are a little 2008, but they get slightly better in the gameplay, once you're past the insufferable cut scenes. All of the humans look more or less like cardboard, but this game isn't about humans it's about inconsequential gunfire!

There are 24 missions in total, 12 in Rookie and 12 in Veteran. This will run you under five hours to play the whole game. Though it is designed for repeatability, giving you the stat screen after every mission with your rank, your accuracy percentage, time played, rounds fired, headshots, etc, I can't imagine anyone caring enough to actually go back and attempt to beat a score.

I get the intention, I get the conceit, and for that arcade rush, Heavy Fire is certainly a fine enough time. The controls are very instinctual, I figured out how to shoot, reload, take cover and throw a grenade without ever consulting a guide of any kind, but the gameplay gets a bit bizarre when using the PS Move for anything other than combat enters the equation. A water tower is about to fall on you, move your controller to the right to not die! Move up to jump! Repeatedly move the controller vertically in an upwards motion to climb the ladder! And so on. Sure, they created a game based around a new technology, so they wanted to use it as much as possible, but honestly, these bits here and there did absolutely nothing to make the game more fun, if anything, the added movement hindered the experience, confusing me every time an icon said to move the controller in a random direction. And when I didn't do it, were there even consequences? At least thanks to the PS Move having lots of awesome potential with its accuracy, the gun movement is exceptionally fluid and stands out as easily the best aspect of the game.

Every two missions you beat, you get an armory point, which allows upgrades like holding more grenades and clips, faster reload, extra health, so on and so forth, for you to choose from. So once you're past the basic beginning levels, things get a little more exciting, as you actually have some options. The game starts to engage you a little bit more by, for example, having an enemy with a machine gun be killable by blowing up the car beneath him. This shooter, while mostly blah, does allow some room for strategy in terms of where you throw a grenade or how quickly you can take out the guys before they take cover or what parts of the environment you can destroy to make taking the enemies out happen a bit more efficiently. Little things that move it beyond being god-awful.

But being happy that a game has a sliver of strategy, strategy that doesn't even enter the gameplay until halfway through, isn't saying much. Aside from the accurate gun controls, the game is pretty worthless. As if the laughable voiceover and "storyline" weren't bad enough, there's never a sense of danger. The enemies just look like they are holding sticks that light up, and if their guns are making any sounds of any kind, it's news to me. I never thought the enemies had the potential to kill or even damage me until the last level. But after being so used to flying through the entire game, the sudden repeat deaths of the final level made me lose all interest entirely. Consistency, people. At least put health out when we need it instead of arbitrarily or try BUILDING in difficulty to adapt the player to what is to come.


Would I recommend buying this? No. Would I recommend renting it? If no other PS Move shooter is available and you're dying to try out the controls, well, sure. The shooting is great fun and that's no easy feat. I've played my fair share of frustratingly impossible-to-handle motion based games this year, so props to Teyon for their work in that department at least. Ultimately though, as much as it pains me to give a hard time to a small company, Heavy Fire: Afghanistan is a completely run of the mill knockoff filled with a little too much Marine propaganda for my taste. Your time can definitely be better spent elsewhere.

Players: 1-4

Platform(s): Playstation 3

Developer: Teyon

Publisher: Mastiff

ESRB: Teen

Rating: 4/10 See full post

Movies I've Seen This Year

Top ten coming soon. Ending 2011 with 95 films, though expect to add many more to that with screeners in January. But the pool my top ten will come from is below!

After the jump, natch :)


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The Definitive Differences Between Tintin and Rin Tin Tin

Cross-posted on and commissioned by Film.com

Image: alittlewhitenoise.com


With The Adventures of Tintin opening this week, I keep encountering lots of folks asking questions like, “What is it about? A dog? So what?! Who cares?!” “Yes, there’s a dog in it, but — stop — you’re thinking of Rin Tin Tin, aren’t you?” And I realized that way too many people actually don’t know the difference between Tintin and Rin Tin Tin. When I got to thinking about it, I didn’t really know the difference when the Tintin movie was first announced either. To add to the propensity for mixing the two up, a few months ago Susan Orlean’s Rin Tin Tin biography was released to stellar reviews and jumped to the top of the best-seller charts. So we figured it was time to break it down so no one will ever make this mistake again.

-Tintin is a fictional boy who owns a fictional dog.
-Rin Tin Tin is a real life German Shepherd dog who played fictional dogs, and was succeeded by Rin Tin Tin Jr., Rin Tin Tin III, Rin Tin Tin IV … you get the idea.

-There is a lot of debate over where the name Tintin came from. It was a popular name at the time, and there are quite a few theories as to why the boy scout meets detective meets reporter ended up with the name he did. Some say it is an homage to Benjamin Rabier’sTintin lutin, others think it’s simply short for Martin or Augustine, and some believe the name signifies “nothing,” referencing Tintin’s purposeful blank slate and cryptic nature. A popular theory is that the name is not even the character’s real name, but a pseudonym used to protect his identity. But, fun fact: Snowy the dog was supposedly named after one of Herge’s ex-girlfriends.
-Rin Tin Tin was named after Rintintin and Nénette, the woolen dolls that French children gave to soldiers in the war as good luck charms.

-Tintin is from Brussels, Belgium, and was created in 1929.
-Rin Tin Tin is from Lorraine, France, 193 miles away, born in 1918.

-Corrected: From the comments section, Tintin was a comic, then 2 plays, then a stop-motion film, then an animated TV show, then another animated TV show, then 2 live-action films, then 3 animated films, then 3 more plays, then a video game, then a third animated TV show, then 4 more video games, then a sixth play, then two musicals, and then a mo-cap movie and accompanying video game. Also 2 short films and 3 magazines.
-Rin Tin Tin appeared in a series of movies and was the subject of three radio series. After his death, other dogs took over and one of these starred in a ’50s TV series entitled The Adventures of Rin Tin Tin. Rin Tin Tin and his ancestry also had many the endorsement deal.

-Tintin was its most popular in the ’50s.
-Rin Tin Tin reached true popularity in the silent movie era of the ’20s — other German shepherds would later take his name and continue the tradition, but the true one, from a litter of shell-shocked pups found in WWI, only lived from 1918 to 1932.

-Tintin was translated into 80 languages and has sold over 350 million books.
-Rin Tin Tin was a huge star of silent film (and four color features!) and is credited with saving Warner Brothers from bankruptcy.

-Tintin solved the Secret of the Unicorn, found Red Rackham’s Treasure, and went to the moon. In Herge’s comics.
-Rin Tin Tin has a star on the walk of fame, a key to the city of New York, and was supposedly the true winner of the first Oscar for Best Actor by write-in vote. In real life.

-Tintin’s sidekicks were a terrier named Snowy and a drunken captain named Haddock.
-Rin Tin Tin had a variety of sidekicks in his films, but in life was loyal to one Lee Duncan. On television, Rin Tin Tin IV’s human companion was named Rusty.

-When Tintin creator Herge died in 1983 at age 75, he made it clear that the comic would not go on without him, but gave Spielberg his blessing to make a movie long before then.
-Rin Tin Tin allegedly died in Jean Harlow’s arms at age 13.

-Tintin can now be found on the big screen in The Adventures of Tintin, directed by Steven Spielberg and starring Jamie Bell, Andy Serkis, and Daniel Craig.
-Rin Tin Tin was buried in the famous pet cemetery in Asnières-sur-Seine, Cimetière des Chiens, and the current Rin Tin Tin is 12th in the line, the great-great-great-great-great-great-great-great-great-grandson of the original. He still makes personal appearances.

It should also be noted that when pronounced with a proper French accent, Tintin *sounds* a lot more like any number of other words, but especially Tauntaun, a white furred biped native to the fictional planet Hoth, most famous for providing Luke Skywalker with a warm bed for the night after being attacked by a Wampa. While mixing up Tintin with Rin Tin Tin has become an acceptable reality, confusing Tintin with a Tauntaun is just plain silly, if not more aurally accurate. To diffuse further confusion, Tintin should also not to be confused with Tun Tun, who is known as the first woman of Hindi comedy; Tenten, a popular supporting character from the manga series Naruto; Tonton, a muppet in the Jordanian version of Sesame Street; or Tantans.com, your number one stop for indoor tanning lotion, dark tanning lotion, sunless lotion, and self-tanner!

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Geek Gingerbread Creations

I have the most awesomely geeky friends.

Battlestar Galactica Themed Creation by me and @thedanifesto

Game of Thrones Themed Creation by @scarletscribe

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December at the Movies

Cross-posted on and commissioned by Film.com

Well folks, this is it. The last month of 2011. In which we are bombarded with dozens of movies and told each one is the best of the year. So which of the vast variety of films being released in December should make it on to your radar and which should you leave behind? Take a look at our preview below.

A Break From Oscar Madness

A Warrior's Heart (Dec 2nd)

I don't even want to tell you, I just want you watch the trailer. Is that mean? Okay, fine. This is a film about a kid acting out cause his dad died in war, so he gets sent to Lacrosse camp. It stars Kellan Lutz as the slightly normally named Conor, Ashley Greene as the slightly ridiculously named Brooklyn, and Chord Overstreet as the okay-who-wrote-this-named Dupree. The quote ON the official apple trailers page is "Twi-hards out there are going to love this!" from PEREZ HILTON. Oh and the movie is rated PG. Gold. It's all gold.

Am I seeing it? Under no circumstances.

New Year's Eve (Dec 9th)

It's like Valentine's Day, but on New Year's Eve! And somehow, even knowing what Valentine's Day was and being fully aware of its (lack of) quality, 137,000 major stars still signed on. Some folks even RETURNED, like Jessica Biel and Ashton Kutcher. This time around though we get some Seth Meyers and some strange Zac Efron/Michelle Pfeiffer May/December action, so all is not lost. Oh wait, I forgot Lea Michele is in this. Yeah. All is lost.

Am I seeing it? Let's be honest. I saw Valentines Day opening weekend. So. Yes.

The Sitter (Dec 9th)

Inspired by the 1987 classic Adventures in Babysitting, but with a hard R edge, this comedy follows Jonah Hill on a wild night of babysitting. It's also the last film Hill shot before beginning his journey towards massive weight lost, so enjoy it while you can, folks. I love Pineapple Express, but am still pretty burnt from Your Highness, so I have absolutely no idea what to expect from this latest offering from David Gordon Green.

Am I seeing it? I've been terrible about seeing raunchy comedies this year, so probably not in theaters, but I wouldn't be against a rental down the line.

Alvin and the Chipmunks: Chipwrecked (Dec 16th)

These just keep happening, don't they? I haven't seen one yet and I probably never will (although The Chipmunk Adventure from 1987 is awesome), but man do kids LOVE these. In this, the third in the new Chipmunks series, the Chipmunks and Chipettes get stranded on a desert island and inevitably, wackiness ensues.

Am I seeing it? Why no, I am not.

Thrilling Thrillers!

Tinker, Tailor, Soldier, Spy (Dec 9th)

British espionage thriller set during the Cold War, based on the novel by John le Carré, which was also the source material for the 1979 mini series starring Alec Guinness. It stars a collection of fantastic actors featuring Gary Oldman being awesome in the leading role, Colin Firth, Tom Hardy, John Hurt, Mark Strong, Toby Jones, and more. Oh and the director is Tomas Alfredson aka the genius behind Let The Right One In.

Am I seeing it? Oh yes, loves me a good spy movie

More after the jump

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Holiday Gift Guide: Music, Book & Theater Edition

It's the giving season again! And if you're a procrastinator like me, then you're still trying to get your holiday gift shopping list together. So let me help you expedite that process! Here are my top gift recommendations for the art lovers in your lives:

Music:

Florence + The Machine's Ceremonials

Florence Welch is a rock-pop machine and Ceremonials is one of my favorite albums of the year. While lacking the raw, punk-like energy of the bands first album, Lungs, the new album is a more polished and whole achievement. All the songs sound connected and they flow to form a broodingly beautiful album that still makes you want to dance and sing along with at the top of your lungs. It's my wonderfully odd dark, upbeat soundtrack to the upcoming winter season. I couldn't recommend it to you more--buy it as a gift for yourself and your moody loved ones!

Books:

The New York Times Magazine Photographs

Aperture and The New York Times Magazine present this awesome photo book that surveys the photography published by the magazine over the years. The New York Times Magazine Photographs is this holiday season's ultimate coffee table book.

The Marriage Plot by Jeffrey Eugenides

From the Pulitzer Prize winning author who gave us Virgin Suicides and Middlesex comes a new novel about Madeleine--a 1980s college student deconstructing 19th Century English novels with marriages at the center of their plots. She finds herself examining not only fictional marriage plots but also modern love and relationships. As an English major, this is the book I bought as a holiday gift for myself to read over my winter break. But if it's anything like Eugenides' previous novels, I suspect that it'll be popular with a diverse range of readers.

Theater Tickets:

Tickets to live shows make for the best gifts; you're giving entertainment and helping to create singular memories. So this year, consider giving the gift of theater! Already seen Sleep No More (a few times)? Looking for another off-Broadway gem? Go see New York Theatre Workshop's production of Once, a musical based on the film of the same name. This insanely popular show has been recently extended to January 15th. Get your tickets before they sellout!

Once
Based on the Film Written & Directed by: John Carney
Directed by: John Tiffany
Book by: Enda Walsh
Lyrics by: Glen Hansard and Markéta Irglová
Movement by: Steven Hoggett
Featuring: David Abeles, Claire Candela, Will Connolly, Elizabeth A. Davis, Steve Kazee, David Patrick Kelly, Cristin Milioti, Anne L. Nathan, Lucas Papaelias, Andy Taylor, Erikka Walsh, Paul Whitty, J. Michael Zygo

For tickets, performance schedule, and more info, go here. See full post

Exit Carolyn at The Drilling Company Theatre

Sans A Productions and the Drilling Company Theatre present Exit Carolyn, a new play about loss and grief.

Lorna and Julie, lifelong best friends and current roommates, are coping with the death of their mutual best friend Carolyn in extremely opposing ways. Lorna masks her sadness by overworking and obsessively multitasking, while Julie wallows in hers by wasting her time away getting high (and a little fat) on the couch. Lorna fools herself into believing she's ready to move on from Carolyn's death, as Julie feels she's too paralyzed to do anything because of it.

As the play's plot unfolds, we discover that Carolyn was the middle, conjoining member of their group, and that Lorna and Julie both individually loved and depended on her charisma and strength. Without her they must reexamine their lives and decide who they are outside of their broken threesome (and if they even want to stay friends with each other). They must decide if they want to merely fill her void or truly deal with their grief and learn to live with themselves in Carolyn's absence. In the midst of Lorna and Julie's grief and dilemma, we're introduced to Carolyn's brother Matthew who is dealing with the immensity of his sadness. Matthew brings up some insightful questions as to the authority of grief; he wonders if it's appropriate for a brother to be so sad at the loss of a sister or if only parents and female loved ones (like Lorna and Julie) have the right to be as upset as he is.

Exit Carolyn captures the strange and chaotic layers of grief, while still managing to be a comical and warm show. The one outsider character, Avery, played by the freshly expressive Lauren Blumenfeld, offers some quirky lightheartedness. Laura Ramadei wonderfully embodies Julie's simultaneously funny and tragic slobbish couch-ridden state. For a play dealing with such a heavy theme, Exit Carolyn does a solid job of striking a believable balance of drama and comedy.

Exit Carolyn
Written by: Jennie Berman Eng
Directed by: Adam Knight
Featuring: Lauren Blumenfeld, Jake Loewenthal, Anna O’Donoghue, and Laura Ramadei

The Drilling Company Theatre for New Plays
236 West 78th St. (between Broadway & Amsterdam)
New York, NY 10026

Performance Schedule:
December 8-11 at 8pm
December 15-17 at 8pm

For tickets, go here.
And for a limited time, catch Thursday performances for just $10 (enter discount code: Danish)! See full post

What Should Be Considered A Spoiler? Musings From A Spoiler-Sensitive Blogger.

Cross-posted on and commissioned by Film.com


Spoilers.

What sensation just went through your body reading that word? For me 12 years ago, it was a sensation of excitement. Now, it's a sensation much closer to terror.

In my youth, I loved television and film just as much as I did now, but I wasn't concerned in the slightest with the element of surprise. Knowing what was coming never bothered me. I eagerly awaited the next installment of Watch with Wanda (now Watch with Kristin, on Eonline), would read plot summaries of episodes of Buffy and Felicity well ahead of when they aired, and would religiously check soap spoilers to see if this would finally be the week that Mike and Carrie on Days of our Lives would make love. (What? I was 13.) To me, spoilers were just an elongated version of "Next time on____" that prepped me for what was to come and filled me with anticipation.

Now, however? Completely different story.

Maybe it's because television has changed and Buffy was certainly a part of that (when I hit high school, I started skipping over the Buffy spoilers in Watch with Wanda), with mystery and development of story becoming a more integral part of television than simply being entertained. Maybe it has to do with the internet being so willing to reveal twist endings at the drop of a hat. But something has shifted. Over the span of 12 years, I've gone from a 13 year old who lives for spoilers to a 25 year old who lists "spoilers" as a legitimate fear when pressed. But maybe the difference is that spoiler means something different nowadays. With endless avenues of communication, constant advance screenings and screeners, and the weight that is now put on experiencing something fresh in order to have an honest opinion, the tiniest bit of information can now affect us as much as reading an entire, multi-page plot summary of a film we haven't seen.

Very often I get into arguments on Twitter about spoilers. Bloggers have gotten better about not straight up revealing plot points, but I, and bear with me here, happen to consider pre-release discussion of themes and lengthy, detailed opinions spoilers too.

Whaaaaat? I know. This is a little extreme. But listen.

The rest after the jump

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Cameos, Music, Puns, Oh My: Dissecting The Tropes Of The Muppets

Crossposted on and commissioned by Film.com

Before the fantastic reviews for The Muppets came flooding in, the concerns among fans included questions like, "Will this be the Muppet movie we've been waiting for" and "Will this be a real Muppet movie?" Even if the movie is indeed great, there are still certain elements fans will be keeping an eye out for - the elements that actually make a Muppet movie a Muppet movie. So what are the tropes that define these films and what notes does the new one have to hit to fit in properly with the Muppet movies of yore? We took a look at each of the six theatrical Muppet releases and created a refresher for you. Take a look below for the results.

The Muppet Movie (1979)

The first, the original, the classic, featuring the stellar tunes of Paul Williams and all star cast featuring every single person who was famous in 1979, The Muppet Movie is widely considered the best of the bunch. Perhaps the darkest as well, the film features a villain whose goal ends up being to KILL Kermit. This first movie sets up the foundation of what makes a proper Muppet movie, including meta jokes, puns, the aforementioned celebrity cameos and an ultimately heartwarming message. This story of Kermit deciding to go into show business not for fame or fortune, but to make people happy, and refusing to sell out in the process, is still poignantly relevant, and combining motifs from westerns, 30s gangster flicks and 60s road movies helps add to the films timelessness. All the original muppets are in the house for this movie about a movie about a movie, including a couple brief appearances from Crazy Harry, the muppet who has an affinity for explosives, who was more or less put into forced retirement over the next several films. Self-referencial, violent, and sweet without being saccharin, The Muppet Movie is a rare gem.

Cameos: Everyone was in this. From Steve Martin to Richard Pryor to Johnny Carson to Mel Brooks to Mr Television himself Milton Bearle, the list goes on and on and on until we get to the final cameo of the film from Orson Welles. Can't handle it.

Meta Humor/Breaking the Fourth Wall: Tons of it. It does feature movie within a movie within a movie after all, framed around the Muppets watching The Muppet Movie at a cast & crew screening. Perhaps the best use of breaking the fourth wall in the movie within a movie is Electric Mayhem following the script to know where they are supposed to pop up next. A narrative paradox!

Puns: Tons, perhaps my favorite being when Fozzie declares "drinks on the house!" and all the shady bar patrons run up to the roof, this classic from Kermit - "That's pretty dangerous building a road in the middle of the street. I mean, if frogs couldn't hop, I'd be gone with the Schwinn." or of course, the visual pun of an actual fork in the road.

Heartwarming Message: Making people happy, not selling out, staying true to you and your dreams will come true. This film perfectly meshes subversive humor with a genuine message.

Running Gag: Several here, all fantastic. The best appears three times, the first at the very beginning, Bernie: "You, you with the banjo, can you help me? I seem to have lost my sense of direction!" Kermit: "Have you tried Hare Krishna?" The second time it's mentioned, Kermit even *refers* to it as a running gag. It finally appears on a sign in front of a church, reading "Lost? Have you tried Rev. Harry Krishna?". Another great running gag is the classic Carol Kane "Myth" "Yeth?"And of course Sweetums chasing after the group of Muppets to go with them to Hollywood.

Sesame Street Cameos: The original and the best - Kermit and Fozzie run into Big Bird on the road, and offer him a ride, but he tells "No thanks! I'm on my way to New York City to try and break into public television!" Brilliant.

Musical Numbers: ALL great. Music by Paul Williams and the world's introduction to karaoke staple The Rainbow Connection, though my personal favorite is Moving Right Along

Dark Moments: Pretty dark in general, with Charles Durning wanting to kill Kermit, Mel Brooks trying to lobotomize him and so on. But rather than just one or two moments, the whole film has an edgy vibe.

Piggy fight scene: Piggy takes Kermit by utter surprise and beats up all of the bad guys. Amazing.

Slapstick Humor: In the bar, Kermit and Fozzie getting violently thrown around, Gonzo gets lifted by balloons and drops onto Fozzie's Studebaker, etc.


The rest after the jump!

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Super 8 Blu Ray Review

Crossposted on and commissioned by Film.com

Movie

Oh Super 8, when I think what you might have been … although I thoroughly enjoyed the first half of this movie and appreciated the sentiment behind it, ultimately I don’t believe the film accomplished what director JJ Abrams and executive producer Steven Spielberg set out to do. Consequently, it’s a bit of a failure. As much as I love the cast of kids and their moments together, none of the emotional payoffs with the adult characters are earned, and in the third act, when all begins to reveal itself, logic goes straight out the window. Super 8 is a pale imitation of the movies it was inspired by, filled with unmet potential. The idea initially came from Spielberg and Abrams talking about making a movie about kids making movies — *that* part of Super 8 works. Combining it with Abrams other idea of a train crashing while transporting something from Area 51 is where the film falls flat on its face. Super 8 feels like two movies thrown together because it is. Yes, E.T. was developed this way as well, but the difference is, in E.T. it worked. In Super 8, the marriage is clunky and undermines an otherwise lovely story. I’d definitely say the film is worth seeing, in case it speaks more to you than it did to me, and especially because of this impressive group of preteens, all of whom I hope go on to long and fulfilled careers; I just personally found it to be a mild disappointment.

Extras
Audio Commentary with JJ Abrams, Bryan Burk, and Larry Fong
Analysis of certain moments, instances of where Spielberg was more or less of a tangible influence, anecdotes, memories, the usual. This is where you can actually hear about cinematographer Larry Fong shooting in anamorphic, the sound effects, which sequences were shot on a sound stage versus on location, motivations behind the actors (as far as Abrams knew them to be), how they worked around puberty, and more. Plus, Fong does one of his famous magic tricks during the commentary, and the gang collectively composes emails to Steven Spielberg. Even though we can’t see either, it’s still fun to know they’re going on. One of my favorite fun facts is that because they got the actors for such little time, anytime you see a reverse shot of one of the kids, it’s a stand-in. Overall, the commentary is thorough and engaging and well worth the listen if you have the urge to learn more about the film.

The Dream Behind Super 8 (1080p, 16:28)
Shot stylistically, almost as if this were a short documentary rather than a standard featurette, this piece takes a look at where the idea for Super 8 came from, and features extensive footage of Abrams on set interacting with his cast and crew. We learn the history of JJ Abrams and frequent collaborators Burk, Fong, and Matt Reeves, and see clips of their childhood Super 8 films. Also elaborated on is the relationship between Abrams and Spielberg over the past 20 years and how they came up with the idea for Super 8 together. My favorite bits are a shot of Abrams’ face while Elle Fanning nails the emotional scene wherein Alice talks about her dad, and his speech to the crew upon wrapping, where he offers “Let me know when I can do anything for you because you’ve done so much for me.” I know secondhand at least what a good guy Abrams is, and it’s neat to see him living up to that reputation on set.

FAVORITE FEATURE ALERT
The Search for New Faces (1080p, 17:46)
A look at the six leads of Super 8, from the audition process to wrap, featuring audition tapes of and interviews with the collection of young actors, thoughts from the casting directors, and footage of the kids engaged in behind-the-scenes antics, Abrams directing them, and best of all, the final day of shooting where an emotional Elle Fanning says goodbye and thanks to the crew for all their hard work. Watching the actors hug Abrams, knowing their journey together had come to an end, actually brought tears to my eyes. Favorite moments include learning that Abrams called each kid personally to offer them the part, a funny on-set moment where lead Joel Courtney doesn’t know how to use a rotary phone and Abrams teaches him, and when the cast reminisces about Riley Griffith’s contagious laugh. Since the kids are easily the best part of the movie, this featurette is my favorite, no question.

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