Okay. Yes, Shampoo was great, but it had NOTHING on tonight's Live Read.
In the fifth installment of this incredible series, Jason Reitman presented Reservoir Dogs in a brand new light. In honor of Black History Month, the cast was 99% black (the 1%? Patton Oswalt, once again using a variety of voices to fill in smaller characters) and 100% legendary. Sitting on stage from left to right was Reitman reading stage directions, Common as Mr Brown (originated by Quentin Tarantino) and Marvin Nash, Terrence Howard as Mr. Blonde (aka Vic Vega, originated by Michael Madsen), Cuba Gooding Jr. as Mr. Orange (originated by Tim Roth), Laurence Fishburne as Mr. White (originated by Harvey Keitel), Anthony Mackie as Mr. Pink (originated by Steve Buscemi), Anthony Anderson as Nice Guy Eddie (originated by Chris Penn), Chi McBride (originated by Lawrence Tierney) and the aforementioned Patton Oswalt as the K-Billy, Holdaway, and the cop in the bathroom.
As last time, the house was absolutely packed, but I know at least twenty people got in from stand-by, and word to the wise, folks got there as early as 5, so if you plan on seeing the final show in March (already sold out), you'll want to arrive to the stand-by line as early as possible. The energy in the room was palpable even before the actors came on stage. This crowd was clearly more passionate about Reservoir Dogs than anyone in the audience was about Shampoo last month. Which makes sense. The film that put Tarantino on the map is also the film that made Jason Reitman want to be a director when he saw it in high school. After his introduction from Elvis Mitchell, Reitman warned "If you brought children, the time to leave is now … This will be the most profane screenplay you'll ever hear in the Bing Theater." Naturally, Reitman, Mitchell, Common, Howard, Gooding Jr, Fishburne and Mackie were decked out in a black suit and tie, dressing the part, and looking amazing, Howard in particular, who added some flare with a dress vest.
As last time, the locations of each scene were projected onto a screen with the actors digitally removed, but an added bonus for this screenplay? Music! It seemed to be the question on many of our minds. With a writer like Tarantino, who puts such great stock into the music he uses, would music play a role in the reading? Only three songs were played, but man what a difference it made. There was such an excited buzz in the air when Stuck in the Middle With You started playing as Howard danced in his chair and Reitman read the stage directions detailing everyone's favorite cinematic ear chopping. Also different from readings past? This one used the deleted scenes as well, going off of the screenplay itself, not anything that was added or deleted on set or in the editing room.
Details on each performance after the jump!
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