Showing posts with label The Joker. Show all posts
Showing posts with label The Joker. Show all posts

Monday, October 18, 2010

If You're As Obsessed with Harley Quinn & The Joker As I Am...

Watch this, then imagine it Nolanified and with Heath Ledger


Wow, that was fast! Apparently there is a version of me out there that's actually weird & bored enough to kind of make such a thing happen. Watch! Here's the summary,

Story:
The promising psychiatrist Dr. Harleen Quinzel, of Arkham Asylum, is commanded by Jeremiah Arkham, the new director, for treating the Joker. She and her new patient have long and deep talks about his vision of life and world, and his persuasion starts to convince her gradually. After several sessions with him, she cant stop of thinking about him, but not in a professional way. She also dreams and fantasizes with him (images in sepia are her thoughts remembering her moments with him).

Then he takes one of the Arkham guards as hostage, forcing her to release all the inmates in Arkham. Mr. Zsasz, a serial killer, is going to attack her but then a bomb (set by the Joker) explodes opportunely. Joker approaches Harley (who is unconscious but unharmed), with what seems intention of killing her but in the end he doesnt. He escapes, leaving her horrified and shocked.

When Jeremiah Arkham blames her for negligence (it looks like she helped him on purpose, when thats not true or is it?) and fires her, she realizes two things:
One, the Joker was right - the world is chaos and a twisted joke.
And two, she is hopelessly in love with him.

So she decides to change. She leaves her home and her life, puts on a costume and names herself Harley Quinn (I would have liked to make her wear make up like him, but you have to work with the video stuff you have u_u). Then she goes to find him and prove him they are soulmates. Will he accept her by his side? We see hes kind of smiling at the final scene, when he sees her...

Cast:
The Joker: Heath Ledger
Harleen Quinzel / Harley Quinn: Rosamund Pike
Jeremiah Arkham: James Cromwell (hes perfect for the role check it out in Arkham Asylum Living Hell comics)
Victor Zsasz: Tim Booth (from Batman Begins)

See full post

Wednesday, March 4, 2009

Custom Legos are Sexy [WANT]

So it started out with this site & all the badass Watchmen toys/posters/designs/etc they could find. P.S. I'll take the Dr. Manhattan poster & military patch, as well as the mighty muggs and the best one of all, THE RORSCHACH LEGO



To gander at more awesome custom Legos head over to The Big Toy Hut Blog (and don't forget to comment in the Rorschach Lego post that they should definitely make them because...because...because AUGH I WANT ONE) or the Big Toy Hut Store. I think my Number 6, Apollo, Starbuck, Hagrid, Hermione, Snape, Catwoman & Harley Quinn need a new friend. And that friend should be Rorschach. Did I mention I collect geeky Legos & Minimates like it's my job?

NURSE JOKER! LIMITED TIME ONLY! AUGH!



I love toys. TOYS. GEEK. WANT. See full post

Thursday, December 4, 2008

The Dark Knight, Chris Nolan & BD Live [Event]


Went into a Warner's Home Video event tonight at the Academy expecting to get a little drunk and came out of it loving The Dark Knight even more, knowing what BD-Live is, further understanding that Chris Nolan is neat & Heath Ledger is a genius, owning a Dark Knight Production Art/Shooting Script Book, Blu-Ray special features disc & a bunch of TDK napkins (thanks friendly bartender!), fed and yes, a little drunk.

To elaborate...

Before tonight I had never even HEARD of BD Live. Apparently it's Xbox Live for Blu-Ray? If you have a BD Live enabled Blu Ray player or a PS3, then you can connect to the internet and partake in the potential awesomeness. The Dark Knight is Warner Brothers' first foray into this format and it's shaping up to be reason alone to invest in a Blu-Ray Player. First of all, it comes with tons of content, waiting to be streamed for free- the newest Warner's trailers, episodes of Warner Premiere Motion Comics (Mad Love! Shadow of Ra's al Ghul!) and more. Down the road, the content may even include episodes of Warner's TV shows. And because everything is streaming, you can get to the content faster and it doesn't take up any hard drive space. One of my favorite features of TDK BD Live is the commentary option. With a computer & webcam, you can record YOURSELF giving commentary for the whole movie or just a scene here, a scene there. Then, when people go on BD Live, they can select your commentary to watch with the film. Now, it's doubtful that I would ever watch a stranger's commentary, but a friend's? Certainly. Maybe even someone famous? A blogger, a writer, a director, an actor, a critic, a technician - people not involved with the film who would have no business doing commentary for the dvd, but would have an interesting perspective, making their thoughts available to the general public? Yes, I'm into that.

Also available is partaking in live text commentary - a bunch of people watching the movie at the same time, texting or typing their thoughts as the film goes on. So a whole group of friends, all in different parts of the world, could watch The Dark Knight together and read each other's commentary.

And you heard it here first - on December 18th, Chris Nolan is doing a live commentary with 100,000 Dark Knight Blu Ray owners. He will host the screening and answer questions as it goes on. With 100,000 people, it will most likely get a little crazy and who knows if Chris Nolan will tell me how exactly the Jim Gordan thing works (trying to keep this post spoiler free...), but it still sounds pretty damn cool to me. In Nolan's words, "It'll be interesting to see what it's like...the potential of it is very exciting." (Note: It had previously been announced that at some point Nolan would do a commentary, but only tonight was the date of this chat confirmed)

After learning all about BD Live and again wishing I had lots and lots money to spend on Blu Ray players and Blu Ray discs and giant HD televisions, we got to spend a half hour with Chris Nolan. Here are some highlights from the discussion.

-It was "a shock" to Nolan & his team that TDK was so successful i.e. is the 2nd highest grossing film of all time
-He really studied how to approach a sequel - what works versus what doesn't. His goal was to "provide a new experience, stretch in all directions" He wanted to delve deeper into the characters, both old & new and stage the action and story on a "grander scale", using an "operatic sensibility"
-He wanted the film to connect to what we as an audience are concerned about. What would impact us, what would excite us. In the end he realized he was tapping into his own "fear of anarchy" and that the Joker was a "distillation of that force"
-In his approach to the entire franchise, Nolan wanted to use a great ensemble a la Richard Donner in Superman. Get a cast that is wholly talented, all of whom bring a lot to the table. This was the mindset in casting Batman Begins & was carried through to Dark Knight
-In reference to Heath Ledger, he had "Something to express that was very much in line with the character in the script. It just meshed"
-Compared the home Blu-Ray version of Dark Knight to the big screen IMAX version and said that the advent of Blu-Ray is a vast improvement technically and important for the translation of IMAX to home video. Now people at home can see the difference between shooting in IMAX and shooting in 35mm in a way that even audiences who saw TDK with a 35mm projection didn't get to experience. Blu Ray points out the "grain structure" and "focus anomalies" and will actually expand in size the same way the IMAX print did, all of which are important for optimal TDK viewing.
-Drew inspiration from Frank Miller's work in the 80s - more serious, more contemporary
-If he made a third film, it would be for no reason but the continuation of story. He is currently looking into where the story would go and if it needs to go there. He maintained that it's very hard to make a movie of this scale (and specified he wasn't asking for our sympathy, drawing a laugh from the crowd) - it's two hard years and you gotta love it. One of his biggest fears is getting halfway through making a film and realizing it's unnecessary and he doesn't want to make it anymore. If there is a third story that needs to be told, there will be a third film, but nothing is set in stone or a given.
-There is no 3 hour cut anywhere - no deleted scenes. He, John Nolan & David Goyer would cut scenes before they ever made it to the screen in what Nolan calls an "aggressive editorial approach." Their criteria was that every scene needs three reasons to be in the film or it's out. This made for a difficult time in the editing suite as every single scene was essential and could not be removed.
-The music ended up playing a huge role in pacing and storytelling
-Shooting in IMAX is about "clarity" and "sharpness" not being big. It's about providing a "sense of the screen disappearing."
-He was shocked that no one ever tried to work with action films in IMAX before & would love to shoot a film entirely in IMAX. The problem with this? An IMAX camera is very noisy, SO noisy in fact that all the dialogue in every IMAX scene had to be looped in post - a feat more difficult for the younger generation of actors, who have less ADR experience. Would ideally like to shoot a hybrid film where all MOS scenes are IMAX are all scenes with dialogue are 65mm.
-When translating a story to a screenplay, the first question he asks himself is "What is the point of view?" For Memento, the protagonist couldn't remember what had happened right before, therefore telling the story backwards seemed a natural device. In TDK, there are many characters and a gradual rise in tension, so linear works best.
-The videos shot by the Joker were in fact shot and mostly directed by Heath Ledger. For the first video, Wally Pfister came in and checked the lights, the sound guys set up a few extra mics, everyone hid around the corner and they let Heath play. Ledger had been planning to direct and was an incredible collaborator with a great mind. Nolan trusted him implicitly. Ledger's work on the first video was so fantastic that Nolan wasn't even there for the second video shoot with Anthony Michael Hall. He gave Ledger the camera and said "do whatever you want." Apparently every take Ledger did was different, but always in line with the story and always fantastic. Where are those on the dvd, Mr. Nolan?!!
-Something was mentioned about scanning 8k...I couldn't follow the technical speak. Which is sad for me.
-He studied English Lit in school and is a self taught director. Started playing around with a camera at age 7 or 8. Believes in the Kubrick school of thought that the best way to learn how to make a movie is to make one.

He then bid us goodbye and a screening of Dark Knight began. Have I mentioned I really love that movie?

Also an important bit of information - Missed TDK in IMAX the first time around? The Dark Knight is being re-released on January 23rd in IMAX theaters across the country. If you haven't seen it yet (Here's looking at you, Danifesto), I encourage you to take advantage of this opportunity and buy your IMAX tickets the moment they go on sale. See full post

Tuesday, December 2, 2008

Dave Karger Insults Dark Knight Fans? [Rant]



Was reading this week's Entertainment Weekly, my favorite magazine as it were, and came upon some Best Picture predictions randomly in the middle of an article on Meryl Streep. At first I was thrilled to see The Dark Knight make the top 8, alongside Benjamin Button, Milk, Slumdog Millionaire, Doubt, Frost/Nixon, Revolutionary Road, & Australia. But then I read the actual write up...

THE DARK KNIGHT
How it gets in With the economic climate becoming more dire every day, recognizing a movie that made over half a billion dollars domestically (and earned quite strong reviews) might be very appealing for some.
How it gets left out It's the Oscar equivalent of the Bradley effect: With ballots in hand, will voters really check off a popcorn movie?


Wait, EW, so you are telling me should Dark Knight be nominated, it's because it MADE A LOT OF MONEY and that's APPEALING TO SOME?! (Oh and maybe because it got strong reviews, but that doesn't really matter as much - thanks for clearing that up, parenthesis!) And should it be snubbed it's because what, the academy members' consciences got the better of them? They just couldn't bear to vote for a "popcorn movie"?!

I understand that for some people, the Dark Knight hype got the better of them..well...I sort of understand...in that way that I'll pretend I understand if you want...but so far, it's hands down the best picture I've seen so far this year. To insult my taste and the taste of millions of others just doesn't seem right to me. The whole reason this movie made as much money as it did, beyond your average comic book movie's total, and why it's getting Best Picture talk in the first place is because it ISN'T just a popcorn movie. It reinvented and elevated the superhero genre to a whole new level and to demean that accomplishment and ignore its quality is condescending at best. Those who are at this moment considering nominating Dark Knight are doing so because it's a great god damn movie and won't change their minds last second, "Bradley Effect" style. Those academy members who won't be nominating Dark Knight? They were never entertaining the thought in the first place.

I stand firmly by the belief that in the end Dark Knight will pull out a Best Pic nod. If it doesn't, it's due to that faction of the academy that will always point their noses down on superhero films, no matter how great they are. But look at this years contenders - Slumdog Millionaire is pretty good, Frost/Nixon, you know, gets the job done and from what I hear (and will be able to confirm soon) Milk is more of an accomplishment for telling the story it tells rather than an achievement in filmmaking and Benjamin Button leaves the audience oddly emotionally detatched in what should be a tearjerker. All four times I saw Dark Knight, I did laugh, I did cry, I marveled at the gorgeous IMAX sequences, I noticed new things, was affected by new things, I was always impressed with the performances and was consistently left itching for the continuation of this story. Some say the film is too didactic, but one element of the superhero genre that should always be maintained is the moral lesson, the grand themes of right and wrong and the epic battle of good versus evil. It's why the genre was created and why it's not going anywhere.

So, a popcorn movie that only stands a chance cause it made money? We're in a fight, Dave Karger. Even though I just added you to my Google Reader. See full post

Monday, November 17, 2008

Item from the Geek Shelf #1

I'm also beginning a semi-weekly feature today called Items from the Geek Shelf. Specifically my Geek Shelf. And as anyone who has been to my apartment knows, I'm extremely proud of said shelf. And the geeky items I have placed upon it.

Today's item is one that is not difficult to find, but made my day when it finally arrived in the mail. I saw The Dark Knight four times in theaters (3 times in IMAX) and regretted immediately the decision not to buy this during preview night of Comic Con. They sold out right away and I was out of luck until Entertainment Earth got some in stock last month. So now I present, The Joker Bobble Head.




Joker in good lighting




Joker on my desk in offensively bad lighting

The reason why I love it so much is because it's the only inexpensive Joker item that actually looks like Heath Ledger and captures how damn creepy his Joker is. As much as I would love one of those detailed figures or busts, I don't have that kind of money. The bobble head was the perfect solution.

For your own Joker Bobble Head, click here or here and enjoy! See full post